Production Diary #2 - A Blocking Good Time

First rehearsals are always a special day in any production, when the cast and director sit around a table and read the play aloud, then talk about it. Because of scheduling we eschewed tradition a bit and jumped right into blocking, but it was no less special.

Yes, blocking. The time-honored theater practice of telling actors when to move around and do things on stage. At this point you would normally see pictures of Hallie Schwartz (Emma) and Patrick Truhler (Archie) at our rehearsal, furiously jotting down notes in their scripts with number 2 pencils while I have my "far-off visionary" look on my face pointing at things to illustrate the above comment, but in my zeal about finally being at our first rehearsal, I neglected to take them. Irony, it seems, can be a cruel mistress.

However, here's another publicity photo to tide you over:

Photo Credit: Lizzie Harrell

Don't they look adorable all confused and in love and whatnot? That's from the first scene of the play, where we started blocking last night. We used Shetler Studios, a wonderful rehearsal complex in the heart of Broadway, where my last play BUFFALO HEIGHTS was performed.

(A computer simulation of me falling on the subway.)

For three hours we toiled over the blocking for scenes 1-6 in a small 9' x 11' studio at Shetler. The air conditioning was a welcome relief (it was still a humid 84 degrees when we left around 10pm), and on the way home I lost my balance on the subway and fell into a stranger's lap. 

But amazing work was done! I left filled with pride and confidence that I had the right cast in the right place at the right time. Like the 18 or so percent of bird species that migrate each year, we too are embarking on a journey that will take us to a warm, wonderful paradise. 

Thanks for reading!